Archive for April, 2010

Editors Keys – Portable Vocal Booth

Tuesday, April 6th, 2010



Editors Keys Portable Vocal Booth Review

01HeadwithMicAs a home studio owner/musician one of the biggest challenges we face is capturing clean, clear audio in an acoustic environment not intended for recording. We deal with thin walls, box shaped rooms, and of course outside noise (those darn lawn mowers!). But that shouldn’t stop you from getting fantastic takes even with a minimal $500 setup (or it’s $300 cousin).

As I wrote about before, you can deal with a bad acoustic environment simply by avoiding reflective surfaces and using a close mic technique. But taking a step further, you can always take advantage of today’s affordable (and portable) vocal booths. One such product comes to us from Editors Keys, sepcifically their Portable Vocal Booth Pro Edition.

If you saw last week’s video review of the Editors Keys USB microphone you may have noticed me singing into the vocal booth. I wanted to address it in a separate review so I could point out the key benefits to this awesome piece of gear. Real quickly, here are 3 things I love about this product:

It’s Really Two Products In One

02boothbackWhen you get your hands on the Portable Vocal Booth Pro, you realize that it’s actually two things in one: acoustic treatment around your mic AND a microphone stand. This is fantastic for obvious reasons as it means one less thing I have to carry around with me if I’m recording outside of my studio (and one less thing to setup IN my studio), plus it’s basically a custom heavy duty stand that will hold up under pressure.

It’s Easy To Use

They guys at Editors Keys have really made a simple, useable product. The clam shell design allows flexibility in acoustic treatment while the metal bar protruding out of the center will hold either one or two mics securely and perfectly placed. This takes all of the guess work out of the equation. Simply screw in your shockmount and mic of choice and you’ve got perfect acoustics where you need it most: at the source.

It’s Accessible To Real Home Studio Users

When it comes to all the gear being sold to you every day in magazines and on the internet, most if it really isn’t priced right for real home studio owners. That’s why you don’t see me pushing too many products out there other than your basic studio needs because I think a lot of it is over priced (and usually unnecessary). That’s not the case for the Editors Keys Portable Vocal Booth. This thing comes in two flavors: the Home Edition ($150) and the Pro Edition ($233). A definite investment, but compared to the competition a more economical choice.

Do I Need One?

Given most of us record one track at a time in a second bedroom or office, an investment in excellent isolation and sound absorption at and around your mic (like that offered by the Portable Vocal Booth) seems to be a wise move. As in my experience with it, you get excellent recordings quickly and easily, no matter what room you’re in, which microphone you’re using, or which DAW you’re recording into.

By Graham Cochrane

www.therecordingrevolution.com

Zoom Q3 Review

Tuesday, April 6th, 2010

The Zoom Q3 is a handheld video recorder with a difference. The Q3 has two high quality condenser microphones. Each condenser microphone is positioned to give you perfect stereo recording.With two modes you can either record just audio or audio and video together like a standard  video recorder.

There are three microphone recording settings, a low mic gain, high mic gain and for unpredictable and dynamic settings there is also the Auto mic gain setting. In the final mode the microphone adjustes itself accortingly to prevent any clipping (distortion on the recording)

If your a vocalist, musician or any kind of performer there is nothing more valuable than a true reprisentation of your live performance. I.E. A live recording for your act.

The Q3 is also great for high quality video blogging. If you run a blog such as a ‘learn the guitar’ blog, this device will give you high quality audio for your viewer, making them think they are sat right infront of you. It’s also brilliant for musicians looking to promote themselves or to just improve. Take it to your practices, record yourself, this way you can hear what you need to improve on and also you can get your stuff onto a Youtube Channel.

The sound is great and really gives a brilliant representation of the original performance. The video quality it OK (see below) it’s perfect for you tube however the quality suffers in the dark.

The Q3 is light and extremely portable. Although the device is made of plastic it is sturdy and can withstand the occassional knock. The battery life is good (lasting around an hour and a half on two AA batteries)

The Zoom Q3 comes with a carry pouch, RCA Phono cable, foam microphone guard and instructions. I also purchased a tripod for my Zoom and an extra SD memory card so that I could get the most out of the recorder.

Check out the quality

Zoom Q3 Specifications

Recording Media SD memory card (16MB-2GB), SDHC memory card (4GB-32GB)
Image Sensor VGA CMOS sensor
Focal Length 0.8m to infinity
Video Compression MPEG4-SP
Video Resolution 640 x 480 pixels (VGA)
Video Format MOV
Frame Rate 30 frames/sec
Audio Format PCM (Quantization : 16/24bit, Sampling Frequency : 44.1/48/96kHz)
MP3 (Bit Rate : 48/56/64/80/96/112/128/160/192/224/256/320kbps)
*96kHz sampling is not available in Movie mode.
Functions Lo-cut filter, Auto REC level, 2x digital zoom
LCD Screen 2.4-inch QVGA
Built-in Mic 120-degree X/Y stereo (Maximum Sound Pressure Level: 130dB SPL)
Built-in Speaker Monaural, 400mW 8Ω
Phones / Line Out: put 1/8″ Stereo phone jack
TV Out NTSC/PAL compatible, Stereo audio
USB USB2.0 High speed compatible, Mass storage class operation
Power Requirements 2 x AA battery (Alkaline / Ni-MH),
AC adaptor (DC5V/1A/center positive)
Battery Life 2 hours (Movie mode), 4 hours (Audio mode)
Dimensions 55(W) x 132.5(D) x 32(H)mm
Weight 130g (without batteries)
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Stereo Microphones – Choosing the Best

Sunday, April 4th, 2010

Stereo microphones are designed to mimic human hearing. Inside these microphones are two elements that pick up sound from the right and left sides of a room or space. Stereo microphones capture sound from the person or instrument being recorded, as well as sound from the surrounding area, known as the field. When choosing the best stereo microphone, consider how it will be used, other recording equipment to be used, and the cost.

The different types of stereo microphones are dynamic, ribbon, and condenser. Condenser, also known as capacitor, is the most commonly used type. Condenser microphones require power from a battery, a separate power pack, or Phantom Power, which is power provided by the recording device.

Consider how a microphone will be used for a project. For capturing audio with video, such as news footage or home videos, a microphone that mounts to the camera may be the best choice. For live performances or studio recording sessions, a stereo microphone that attaches to a stand will work well. Handheld microphones are another option for news reporting and live or recorded vocal performances. Microphones that have a pop or wind screen can help eliminate noise from wind, breathing, and harsh “b” and “p” sounds.

The amount of background sound desired in the recording is another factor in choosing a stereo microphone. There are two elements inside a stereo microphone, set at an angle called the X/Y configuration. The angle can be fixed or adjustable depending on the microphone. Generally, a wider angle will pick up more surrounding, or ambient, sounds from the field.

The stereo microphone must also have connections that will fit into the recording equipment to be used. XLR and 1/4-inch (6.35 mm) jacks and plugs are common types of connectors for equipment such as video cameras and audio recorders. Professional stereo microphones usually have XLR connectors. If a microphone needs to be plugged in directly to a computer, look for microphones with USB connectors. For certain condenser microphones, ensure that the recording device has phantom power if needed.

Cost is a big consideration when choosing a stereo microphone. A wide variety of stereo microphones are available with a large range of prices. Beginners and amateurs can spend less than professionals and still get a quality microphone. Different microphones should be tested prior to purchasing if possible. Choose a microphone at the price level that will get the project done and not break the budget.